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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) created Soft Cell alongside Marc Almond in Leeds in 1977

The talented musician, a key member of the groundbreaking 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the pair scored a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a classic of electronic music.

He later founded the pioneering techno group The Grid, who achieved chart success with 1994's Swamp Thing.

Ball died calmly in his sleep at his residence in London on Wednesday 22 October, just weeks after playing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

At that performance, Ball performed in a wheelchair, as he had for the previous couple of years, following a period of ill-health.

"I ended up damage myself quite a bit," he stated in 2023. "I broke spinal bones in my spine and cracked about five ribs and broke my wrist."

After contracting pneumonia and developing blood poisoning, he was put in an medically-induced sleep and remained in the hospital for seven months.

Nevertheless, he had been in "a great place mentally" during the warmer months, as he worked on a new album with Almond, titled the upcoming Danceteria, which is scheduled for release in the coming year.

"He was focused and very pleased with the latest project that we actually finished only a few days ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an positive time for him, and I take some solace from the knowledge that he listened to the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the forefront of the electronic music scene in the beginning of the decade

Tributes

Almond described his collaborator as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Thank you Dave for being an immense aspect of my existence and for the songs you created with me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "endless laughter" and "unwavering friendship".

"Being in a duo with someone is distinct from being in a group, the bond is incredibly close," he continued.
"That was the case with us. We experienced so many extraordinary, incredible, life-affirming moments together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Formative Years

Brought into the world into a single-parent household in Chester in 1959, Ball was put up for adoption when he was 18 months of age.

He was raised in Blackpool with adoptive parents his caregivers, who altered his given name from his birth name to David, alongside his sibling Susan, who was also adopted.

He met Almond at an art college in the late 70s, where they were both learning fine arts. Fuelled by a shared love of a music genre, they established Soft Cell the very year, and quickly recorded an EP.

Creative Collaboration

The duo were an unusual combination: Ball was the quiet technician, hunched over his keyboard, while Almond was a flamboyant performer, all glitter and makeup; but they achieved a unique creative synergy.

Ball had cultivated a interest with electronic instruments after viewing Kraftwerk perform on BBC science show Tomorrow's World, and began to marry dark electronica to the soaring melodies Almond was writing.

Tainted Love became the UK's second most popular song of 1981, shifting millions of copies worldwide. Together with successful tracks by Gary Numan, contemporary bands and electronic acts, it contributed to cleared the way for the electronic music style of the 80s.

The track was also featured on their first album, Non-Stop Erotic Cabaret, which produced two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which peaked at the second position in the following year.

Soft Cell in the studio
The duo were working on new material until just before Ball's passing

Professional Journey

Success had its benefits. "I enjoyed being able to purchase my initial property, having money and travelling, which might seem like a beauty queen," Ball recently told with a publication.

But it also caused problems. "Newfound wealth allowed we could purchase newfound drugs to relieve the boredom" of press appearances and television shows, Ball explained.

"I know that's a common saying, but it's a cliché for a valid cause, because it works for so many bands."

During the hedonistic lifestyle, the duo were also drifting apart, but they managed to create a follow-up memorable record - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They released another album, 1984's This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond proceeded to have a prosperous solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with ambient pop over a long-lasting partnership.

Later Work and Comebacks

Soft Cell came back together in the early 2000s, releasing the charting album Cruelty Without Beauty.

After another break, they returned in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the O2 Arena on September 30, 2018.

Yet, they remained together, creating their latest project, Happiness Not Included, during the pandemic restrictions.

Ball recently characterized the band's new album as a homage to the New York club scene they frequented while making their first two albums.

He noted that his time in hospital had shaped the group's music.

"I had strange recollections when I was in and out of the hospital because I was on pain medication," he told a music magazine.
"Our latest tracks are a digital reflection of the sounds in my head from those days.
"In parallel, it's about the experiences me and Marc had in the 1980s."

The last versions were completed only a short time before Ball died. It is due for release in Spring 2026.

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